DVDpedia : Library : Title : P

Theatrical: 2006

Studio: New Line Home Video

Genre: Art House & International

Duration: 119

Summary: Inspired by the Brothers Grimm, Jorge Luis Borges, and Guillermo del Toro's own unlimited imagination, "Pan's Labyrinth" is a fairytale for adults. Ofelia (Ivana Baquero) may only be 12, but the worlds she inhabits, both above and below ground, are dark as anything del Toro has conjured. Set in rural Spain, circa 1944, Ofelia and her widowed mother, Carmen (Ariadna Gil, "Belle Epoque"), have just moved into an abandoned mill with Carmen's new husband, Captain Vidal (Sergi López, "With a Friend like Harry"). Carmen is pregnant with his son. Other than her sickly mother and kindly housekeeper Mercedes (Maribel Verdú, "Y Tu Mamá También"), the dreamy Ofelia is on her own. Vidal, an exceedingly cruel man, couldn't be bothered. He has informers to torture. Ofelia soon finds that an entire universe exists below the mill. Her guide is the persuasive Faun (Doug Jones, "Mimic"). As her mother grows weaker, Ofelia spends more and more time in the satyr's labyrinth. He offers to help her out of her predicament if she'll complete three treacherous tasks. Ofelia is willing to try, but does this alternate reality really exist or is it all in her head? Del Toro leaves that up to the viewer to decide in a beautiful, yet brutal twin to "The Devil's Backbone", which was also haunted by the ghost of Franco. Though it lacks the humor of "Hellboy", "Pan's Labyrinth" represents Guillermo Del Toro at the top of his considerable game. "--Kathleen C. Fennessy"

Theatrical: 2000

Studio: Sony Pictures

Genre: Drama

Duration: 165

Summary: Aimed directly at a mainstream audience, "The Patriot" qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of "Stargate", "Independence Day", and "Godzilla", director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for "Saving Private Ryan". Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.
On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, "The Patriot" conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in "Braveheart" with an effectively brooding performance. "--Jeff Shannon"

Theatrical: 1994

Studio: 20th Century Fox

Genre: Comedy

Duration: 120

Summary: Almost 10 years before playing a by-the-books college dean in "Old School", Jeremy Piven was King Slob of an underground fraternity in this frequently amusing cult comedy. Piven is Droz, who introduces nervous freshman Chris Young to his eclectic frat-mates (which include Jon Favreau) while steering clear of vicious prepster David Spade and malevolent school head Jessica Walter. Piven's off-the-cuff humor and the capable cast help anchor the film's gleefully anarchic tone, which is refreshingly free of the cheap scatological gags that usually sink collegiate comedies. The result is a breezy, likable comedy that should please fans of cinematic campus capers. 20th Century Fox's surprisingly extra-laden DVD includes fullscreen and widescreen versions of the film, as well as commentaries by a typically wry Piven and director Hart Bochner; a short behind-the-scenes featurette; a video for Mudhoney's cover of Elvis Costello's "Pump It Up," which is featured on the soundtrack, and the original theatrical trailer. "--Paul Gaita"

Theatrical: 1993

Studio: Live / Artisan

Genre: Drama

Duration: 121

Summary: Jane Campion's "The Piano" struck a deep chord (if you'll excuse the expression) with audiences in 1993, who were mesmerized by the film's rich, dreamlike imagery. It is the story of a Scottish woman named Ada (Holly Hunter), who has been mute since age 6 because she simply chose not to speak. Ada travels with her daughter Flora (Anna Paquin) and her beloved piano to a remote spot on the coast of New Zealand for an arranged marriage to a farmer (Sam Neill). She gives piano lessons to a gruff neighbor (Harvey Keitel) who has Maori tattoos on his face, and, well, things develop from there. The picture takes on a powerful dream logic that simply defies synopsis. It's a breathtakingly beautiful and original achievement from Campion, a unique stylist. "The Piano" won the Palme d'Or at the Cannes Film Festival and Oscars for Hunt, Paquin, and Campion's screenplay. "--Jim Emerson"

Theatrical: 1995

Studio: Warner Home Video

Genre: Television

Summary: Two lab mice, ("One is a genius, the other insane") living in the Acme labs seek to formulate a plan for the duo, led by Brain, to take over the world. Watch each episode as Pinky and the Brain take on each attempt with a dry wit and humor and likely a parody of other media. 22 Episodes from the Emmy Nominated Series for the first time on DVD

Theatrical: 1995

Studio: Warner Home Video

Genre: Animation

Duration: 30

Summary: Two lab mice, ("One is a genius, the other insane") living in the Acme labs seek to formulate a plan for the duo, led by Brain, to take over the world. Watch each episode as Pinky and the Brain take on each attempt with a dry wit and humor and likely a parody of other media. 22 Episodes from the Emmy Nominated Series for the first time on DVD.

Theatrical: 1995

Studio: Warner Home Video

Genre: Animation

Duration: 30

Summary: Two lab mice, ("One is a genius, the other insane") living in the Acme labs seek to formulate a plan for the duo, led by Brain, to take over the world. Watch each episode as Pinky and the Brain take on each attempt with a dry wit and humor and likely a parody of other media. 22 Episodes from the Emmy® Award Winning Series for the first time on DVD.

Theatrical: 2000

Studio: Mca Home Video

Genre: Science Fiction & Fantasy

Duration: 110

Summary: Owing a major debt to "Alien" and its cinematic spawn, "Pitch Black" is a guilty pleasure that surpasses expectations. As he did with "The Arrival", director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts.
A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and "Pitch Black" settles into familiar sci-fi territory.
What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of "The Blair Witch Project", Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and "Pitch Black" gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in "High Art") and Diesel (Pvt. Caparzo from "Saving Private Ryan") being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. "--Jeff Shannon"

Theatrical: 1968

Studio: 20th Century Fox

Genre: Classics

Duration: 119

Summary: Many early science fiction films are now, quite inadvertently (and in most cases undeservedly), objects of camp attention: we laugh at the silly makeup, tin-can special effects, and the naive "high-tech" dialogue. "Planet of the Apes" is no such film. Its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of hyperrational, articulate apes. However, the ape community is riven with internal dissention, centered in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic fingerprints of Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all his own, and time has not dulled the monumental emotional impact of the film's climactic payoff shot. If you don't know what I'm talking about here, you owe it to yourself to check out this stone classic, and even if you do, see it with fresh eyes; and don't be surprised if you get the chills all over again... and again... and again. "--Miles Bethany"

Theatrical: 1986

Studio: MGM (Video & DVD)

Genre: Action & Adventure

Duration: 120

Summary: "Platoon" put writer-turned-director Oliver Stone on the Hollywood map; it is still his most acclaimed and effective film, probably because it is based on Stone's firsthand experience as an American soldier in Vietnam. Chris (Charlie Sheen) is an infantryman whose loyalty is tested by two superior officers: Sergeant Elias (Willem Dafoe), a former hippie humanist who really cares about his men (this was a few years before he played Jesus in Martin Scorsese's "The Last Temptation of Christ"), and Sergeant Barnes (Tom Berenger), a moody, macho soldier who may have gone over to the dark side. The personalities of the two sergeants correspond to their combat drugs of choice--pot for Elias and booze for Barnes. Stone has become known for his sledgehammer visual style, but in this film it seems perfectly appropriate. His violent and disorienting images have a terrifying immediacy, a you-are-there quality that gives you a sense of how things may have felt to an infantryman in the jungles of Vietnam. "Platoon" won Oscars for best picture and director. "--Jim Emerson"

Theatrical: 2005

Studio: 20th Century Fox

Genre: Drama

Duration: 585

Summary: Combine elements of "The O.C.", "Dawson's Creek", "Buffy the Vampire Slayer", and "Desperate Housewives", to name just a few, and you have the slight but diverting "Point Pleasant". And for those frustrated by Fox TV's decision to cancel this 2005 series after just eight episodes, the good news is that this three-disc set includes the five episodes that never made it to the airwaves. The show centers on blonde teenager Christina Nickson (Elisabeth Harnois), who's pulled from the surf off the beach at Point Pleasant, New Jersey, and is soon taken in by one of the town's troubled families. It's not for nothing that Christina is, well, a bit mysterious; we learn that she is "the child of darkness," daughter of Satan himself, endowed with malevolent powers that she neither understands nor can control. Sleepy little Point Pleasant, meanwhile, will soon be "home to the greatest coming of evil since the angels fell from heaven," and Christina has arrived to usher in the End of Days, with a little help from the smarmy Lucas Boyd (Grant Show), ol' Mr. 666's errand boy. To that end, all sorts of bad stuff starts to happen: Insects attack! The church's stained glass window breaks! A dance marathon brings out the worst in the townsfolk! Teenagers get jealous! Horny adults flirt… and maybe more!
If all of that sounds pretty tame, that's "Point Pleasant"'s principal problem: good premise, less than stellar execution. The show looks great, including the actors; the teens all appear to have stepped out of a Gap commercial, and the grownups are model-beautiful too. But their acting isn't nearly as hot as they are. Same goes for the dialogue (ten episodes in, people are still saying things like "This may sound crazy, but…"). And the special effects. And the excruciatingly slow pace of the story development. Most of all, even though the body count and the fear factor rise in the last few episodes, "Point Pleasant" (which was co-created by former "Buffy" writer-producer Marti Noxon) just isn’t scary enough. In trying to be titillating and concentrating so much on the characters' various personal problems, even those brought to light by Christina's appearance, the producers seem to have forgotten that when the Devil comes to town and the apocalypse is at hand, mere melodrama just won't cut it. In the end, those looking for genuine thrills have any number of other series and films to turn to. On the other hand, if a supernatural soap opera sounds like your cup of karma, then "Point Pleasant" is for you. The box set includes a "making of" featurette as well as the 13 episodes. "--Sam Graham"

Theatrical: 1982

Studio: 20th Century Fox

Genre: Comedy

Duration: 98

Summary: We follow a bunch of high school kids through a period in their puberty. Their lives mainly consist of watching the girls in the shower and making life a living hell for their teachers and for each other. The movie is packed with practical jokes and eccentric characters, like Pee Wee with the short dick (which he measures every morning) who met up for sex with the school "mattress" Wendy already wearing a rubber, or the fat teaching bitch Beulah Balbricker who is determined on making life a living hell for the boys. The name "Porky's" is the name of a striptease bar the boys get thrown out of and humiliated in in the beginning of the movie. They have their minds set on revenge, but that's not easy as the owner's brother is sheriff. Only by forgetting their internal differences can they defeat Porky and his gang.

Theatrical: 2007

Studio: Vivendi Entertainment

Genre: Action & Adventure

Duration: 102

Summary: Prepare yourself for the hilarious, laugh-packed comedy POSTAL, the irreverent and outrageous film based on the popular video game. After a clueless slacker named the Postal Dude (Zack Ward) loses his job, he joins his shady Uncle Dave (Dave Foley) and a bevy of big-breasted, scantily clad female cult followers in a scheme to steal a shipment of hot new toys. But first they must foil a band of ruthless terrorists led by none other than Osama Bin Laden and save the world from destruction in this offensive, mayhem-ridden laugh riot that threatens the very limits of common decency.

Theatrical: 1992

Studio: Warner Home Video

Genre: Drama

Duration: 127

Summary: The Power of One is an intriguing story of a young English boy named P.K. and his passion for changing the world. Growing up he suffered as the only English boy in an Afrikaans school. Soon orphaned, he was placed in the care of a German national named Professor von Vollensteen (a.k.a. "Doc"), a friend of his grandfather. Doc develops P.K.'s piano talent and P.K. becomes "assistant gardener" in Doc's cactus garden. It is not long after WWII begins that Doc is placed in prison for failure to register with the English government as a foreigner. P.K. makes frequent visits and meets Geel Piet, an inmate, who teaches him to box. Geel Piet spreads the myth of the Rainmaker, the one who brings peace to all of the tribes. P.K. is cast in the light of this myth. After the war P.K. attends an English private school where he continues to box. He meets a young girl, Maria, with whom he falls in love. Her father, Professor Daniel Marais, is a leader of the Nationalist Party of South Africa. The two fight to teach the natives English as P.K.'s popularity grows via the myth. Maria is killed. P.K. looses focus until he sees the success of his language school among the tribes. He and Guideon Duma continue the work in hopes of building a better future for Africa.

Theatrical: 1987

Studio: 20th Century Fox

Genre: Science Fiction & Fantasy

Duration: 107

Summary: "Rambo" meets "Alien" in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before "Die Hard" made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of U.S. Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realize that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant. "--Jeff Shannon"

Theatrical: 2006

Studio: Buena Vista Home Entertainment / Touchstone

Genre: Drama

Duration: 130

Summary: A Friendship, That Became a Rivalry...A Rivalry, That Became a Battle.

Rival magicians in turn-of-the-century London battle each other for trade secrets. The rivalry is so intense that it turns them into murderers. The title refers to the product o

Theatrical: 1987

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 98

Summary: Screenwriter William Goldman's novel "The Princess Bride" earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his skeptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story.
And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity...
The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. "--Sam Sutherland"

Theatrical: 1999

Studio: Miramax

Genre: Anime

Duration: 134

Summary: This epic, animated 1997 fantasy has already made history as the top-grossing domestic feature ever released in Japan, where its combination of mythic themes, mystical forces, and ravishing visuals tapped deeply into cultural identity and contemporary, ecological anxieties. For international animation and "anime" fans, "Princess Mononoke" represents an auspicious next step for its revered creator, Hayao Miyazaki ("My Neighbor Totoro", "Kiki's Delivery Service"), an acknowledged "anime" pioneer, whose painterly style, vivid character design, and stylized approach to storytelling take ambitious, evolutionary steps here.
Set in medieval Japan, Miyazaki's original story envisions a struggle between nature and man. The march of technology, embodied in the dark iron forges of the ambitious Tatara clan, threatens the natural forces explicit in the benevolent Great God of the Forest and the wide-eyed, spectral spirits he protects. When Ashitaka, a young warrior from a remote, and endangered, village clan, kills a ravenous, boar-like monster, he discovers the beast is in fact an infectious "demon god," transformed by human anger. Ashitaka's quest to solve the beast's fatal curse brings him into the midst of human political intrigues as well as the more crucial battle between man and nature.
Miyazaki's convoluted fable is clearly not the stuff of kiddie matinees, nor is the often graphic violence depicted during the battles that ensue. If some younger viewers (or less attentive older ones) will wish for a diagram to sort out the players, Miyazaki's atmospheric world and its lush visual design are reasons enough to watch. For the English-language version, Miramax assembled an impressive vocal cast including Gillian Anderson, Billy Crudup (as Ashitaka), Claire Danes (as San), Minnie Driver (as Lady Eboshi), Billy Bob Thornton, and Jada Pinkett Smith. They bring added nuance to a very different kind of magic kingdom. Recommended for ages 12 and older. "--Sam Sutherland"

Theatrical: 2005

Studio: Universal Studios

Genre: Comedy

Duration: 134

Summary: The trend is to convert movies into stage musicals, but "The Producers" goes a step further: making a feature film of the smash-hit stage musical that was adapted from the 1968 film. The chief drawing card, of course, is Nathan Lane and Matthew Broderick reprising their roles from the stage. Lane plays Max Bialystock, a legendary Broadway producer who hasn't had a hit show in a long time. Enter nebbish accountant Leo Bloom (Broderick), who tells Bialystock he could actually make more money with a flop than a hit. So the two set out to produce the worst Broadway musical of all time, one guaranteed to close on opening night, with the collaboration of an outrageous cast of characters: Will Ferrell as sieg heil-ing author Franz Liebkind, Uma Thurman as Swedish bombshell Ulla, Gary Beach as director Roger De Bris, and Roger Bart as his assistant, Carmen Ghia, among others.
As directed and choreographed by Susan Stroman (who did the same honors on Broadway) and co-written by Mel Brooks, "The Producers" is laugh-out-loud funny. It's also a relentlessly over-the-top, shamelessly bawdy, stereotype-ridden comedy that may turn off its audience just as much as its centerpiece, "Springtime for Hitler", was intended to. But Broadway fans who are used to larger-than-life figures who play to the back row while showering the first row with spit, are likely to forgive and just enjoy the famous granny-walker dance, a supporting cast dotted with Broadway performers (playing a taxi driver is Brad Oscar, who originated the role of Liebkind on Broadway then later played Bialystock), or the mere spectacle of seeing Lane and Broderick memorializing the performances that millions never got a ticket to see. (For maximum laughs, stick around through the closing credits.) "--David Horiuchi"

Theatrical: 1968

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 88

Summary: Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, "The Producers" is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.
Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company. When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is "Springtime for Hitler", a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.
Truly startling during its original 1968 release, "The Producers" does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. "--Sam Sutherland"

Theatrical: 2006

Studio: Weinstein Company

Genre: Foreign

Duration: 81

Summary: Thai martial arts virtuoso Tony Jaa stars as Kham, who travels to Australia to take on a gang and rescue a kidnapped elephant.