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DVDs in Collection: 382

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Pan's Labyrinth
Art House & International New Line Home Video R
Inspired by the Brothers Grimm, Jorge Luis Borges, and Guillermo del Toro's own unlimited imagination, "Pan's Labyrinth" is a fairytale for adults. Ofelia (Ivana Baquero) may only be 12, but the worlds she inhabits, both above and below ground, are dark as anything del Toro has conjured. Set in rural Spain, circa 1944, Ofelia and her widowed mother, Carmen (Ariadna Gil, "Belle Epoque"), have just moved into an abandoned mill with Carmen's new husband, Captain Vidal (Sergi López, "With a Friend like Harry"). Carmen is pregnant with his son. Other than her sickly mother and kindly housekeeper Mercedes (Maribel Verdú, "Y Tu Mamá También"), the dreamy Ofelia is on her own. Vidal, an exceedingly cruel man, couldn't be bothered. He has informers to torture. Ofelia soon finds that an entire universe exists below the mill. Her guide is the persuasive Faun (Doug Jones, "Mimic"). As her mother grows weaker, Ofelia spends more and more time in the satyr's labyrinth. He offers to help her out of her predicament if she'll complete three treacherous tasks. Ofelia is willing to try, but does this alternate reality really exist or is it all in her head? Del Toro leaves that up to the viewer to decide in a beautiful, yet brutal twin to "The Devil's Backbone", which was also haunted by the ghost of Franco. Though it lacks the humor of "Hellboy", "Pan's Labyrinth" represents Guillermo Del Toro at the top of his considerable game. "--Kathleen C. Fennessy"

The Patriot
Drama Sony Pictures R
Aimed directly at a mainstream audience, "The Patriot" qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of "Stargate", "Independence Day", and "Godzilla", director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for "Saving Private Ryan". Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.
On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, "The Patriot" conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in "Braveheart" with an effectively brooding performance. "--Jeff Shannon"

PCU
Comedy 20th Century Fox PG-13
Almost 10 years before playing a by-the-books college dean in "Old School", Jeremy Piven was King Slob of an underground fraternity in this frequently amusing cult comedy. Piven is Droz, who introduces nervous freshman Chris Young to his eclectic frat-mates (which include Jon Favreau) while steering clear of vicious prepster David Spade and malevolent school head Jessica Walter. Piven's off-the-cuff humor and the capable cast help anchor the film's gleefully anarchic tone, which is refreshingly free of the cheap scatological gags that usually sink collegiate comedies. The result is a breezy, likable comedy that should please fans of cinematic campus capers. 20th Century Fox's surprisingly extra-laden DVD includes fullscreen and widescreen versions of the film, as well as commentaries by a typically wry Piven and director Hart Bochner; a short behind-the-scenes featurette; a video for Mudhoney's cover of Elvis Costello's "Pump It Up," which is featured on the soundtrack, and the original theatrical trailer. "--Paul Gaita"

The Piano
Drama Live / Artisan R
Jane Campion's "The Piano" struck a deep chord (if you'll excuse the expression) with audiences in 1993, who were mesmerized by the film's rich, dreamlike imagery. It is the story of a Scottish woman named Ada (Holly Hunter), who has been mute since age 6 because she simply chose not to speak. Ada travels with her daughter Flora (Anna Paquin) and her beloved piano to a remote spot on the coast of New Zealand for an arranged marriage to a farmer (Sam Neill). She gives piano lessons to a gruff neighbor (Harvey Keitel) who has Maori tattoos on his face, and, well, things develop from there. The picture takes on a powerful dream logic that simply defies synopsis. It's a breathtakingly beautiful and original achievement from Campion, a unique stylist. "The Piano" won the Palme d'Or at the Cannes Film Festival and Oscars for Hunt, Paquin, and Campion's screenplay. "--Jim Emerson"

Pinky and the Brain, Vol. 1
Television Warner Home Video NR
Two lab mice, ("One is a genius, the other insane") living in the Acme labs seek to formulate a plan for the duo, led by Brain, to take over the world. Watch each episode as Pinky and the Brain take on each attempt with a dry wit and humor and likely a parody of other media. 22 Episodes from the Emmy Nominated Series for the first time on DVD

Pitch Black
Science Fiction & Fantasy Mca Home Video Unrated
Owing a major debt to "Alien" and its cinematic spawn, "Pitch Black" is a guilty pleasure that surpasses expectations. As he did with "The Arrival", director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts.
A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and "Pitch Black" settles into familiar sci-fi territory.
What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of "The Blair Witch Project", Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and "Pitch Black" gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in "High Art") and Diesel (Pvt. Caparzo from "Saving Private Ryan") being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. "--Jeff Shannon"

Planet of the Apes
Classics 20th Century Fox G
Many early science fiction films are now, quite inadvertently (and in most cases undeservedly), objects of camp attention: we laugh at the silly makeup, tin-can special effects, and the naive "high-tech" dialogue. "Planet of the Apes" is no such film. Its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of hyperrational, articulate apes. However, the ape community is riven with internal dissention, centered in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic fingerprints of Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all his own, and time has not dulled the monumental emotional impact of the film's climactic payoff shot. If you don't know what I'm talking about here, you owe it to yourself to check out this stone classic, and even if you do, see it with fresh eyes; and don't be surprised if you get the chills all over again... and again... and again. "--Miles Bethany"

Porky's & Porky's II - The Next Day
Comedy 20th Century Fox R
We follow a bunch of high school kids through a period in their puberty. Their lives mainly consist of watching the girls in the shower and making life a living hell for their teachers and for each other. The movie is packed with practical jokes and eccentric characters, like Pee Wee with the short dick (which he measures every morning) who met up for sex with the school "mattress" Wendy already wearing a rubber, or the fat teaching bitch Beulah Balbricker who is determined on making life a living hell for the boys. The name "Porky's" is the name of a striptease bar the boys get thrown out of and humiliated in in the beginning of the movie. They have their minds set on revenge, but that's not easy as the owner's brother is sheriff. Only by forgetting their internal differences can they defeat Porky and his gang.

The Power of One
Drama Warner Home Video PG-13
The Power of One is an intriguing story of a young English boy named P.K. and his passion for changing the world. Growing up he suffered as the only English boy in an Afrikaans school. Soon orphaned, he was placed in the care of a German national named Professor von Vollensteen (a.k.a. "Doc"), a friend of his grandfather. Doc develops P.K.'s piano talent and P.K. becomes "assistant gardener" in Doc's cactus garden. It is not long after WWII begins that Doc is placed in prison for failure to register with the English government as a foreigner. P.K. makes frequent visits and meets Geel Piet, an inmate, who teaches him to box. Geel Piet spreads the myth of the Rainmaker, the one who brings peace to all of the tribes. P.K. is cast in the light of this myth. After the war P.K. attends an English private school where he continues to box. He meets a young girl, Maria, with whom he falls in love. Her father, Professor Daniel Marais, is a leader of the Nationalist Party of South Africa. The two fight to teach the natives English as P.K.'s popularity grows via the myth. Maria is killed. P.K. looses focus until he sees the success of his language school among the tribes. He and Guideon Duma continue the work in hopes of building a better future for Africa.

Predator
Science Fiction & Fantasy 20th Century Fox R
"Rambo" meets "Alien" in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before "Die Hard" made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of U.S. Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realize that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant. "--Jeff Shannon"

The Prestige
Drama Buena Vista Home Entertainment / Touchstone PG-13
A Friendship, That Became a Rivalry...A Rivalry, That Became a Battle.

Rival magicians in turn-of-the-century London battle each other for trade secrets. The rivalry is so intense that it turns them into murderers. The title refers to the product o

The Princess Bride
Comedy MGM (Video & DVD) PG
Screenwriter William Goldman's novel "The Princess Bride" earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his skeptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story.
And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity...
The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. "--Sam Sutherland"

Princess Mononoke
Anime Miramax PG-13
This epic, animated 1997 fantasy has already made history as the top-grossing domestic feature ever released in Japan, where its combination of mythic themes, mystical forces, and ravishing visuals tapped deeply into cultural identity and contemporary, ecological anxieties. For international animation and "anime" fans, "Princess Mononoke" represents an auspicious next step for its revered creator, Hayao Miyazaki ("My Neighbor Totoro", "Kiki's Delivery Service"), an acknowledged "anime" pioneer, whose painterly style, vivid character design, and stylized approach to storytelling take ambitious, evolutionary steps here.
Set in medieval Japan, Miyazaki's original story envisions a struggle between nature and man. The march of technology, embodied in the dark iron forges of the ambitious Tatara clan, threatens the natural forces explicit in the benevolent Great God of the Forest and the wide-eyed, spectral spirits he protects. When Ashitaka, a young warrior from a remote, and endangered, village clan, kills a ravenous, boar-like monster, he discovers the beast is in fact an infectious "demon god," transformed by human anger. Ashitaka's quest to solve the beast's fatal curse brings him into the midst of human political intrigues as well as the more crucial battle between man and nature.
Miyazaki's convoluted fable is clearly not the stuff of kiddie matinees, nor is the often graphic violence depicted during the battles that ensue. If some younger viewers (or less attentive older ones) will wish for a diagram to sort out the players, Miyazaki's atmospheric world and its lush visual design are reasons enough to watch. For the English-language version, Miramax assembled an impressive vocal cast including Gillian Anderson, Billy Crudup (as Ashitaka), Claire Danes (as San), Minnie Driver (as Lady Eboshi), Billy Bob Thornton, and Jada Pinkett Smith. They bring added nuance to a very different kind of magic kingdom. Recommended for ages 12 and older. "--Sam Sutherland"

The Protector
Foreign Weinstein Company R
Thai martial arts virtuoso Tony Jaa stars as Kham, who travels to Australia to take on a gang and rescue a kidnapped elephant.


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