DVDpedia : Library : Title : T

Theatrical: 1989

Studio: Home Box Office (HBO)

Genre: Horror

Duration: 380

Summary: What's that? You say there's not enough fright in your life? Well, let your old fearsome friend, the Crypt Keeper, put some pep into your tired blood with another lucky 13 episodes of "Tales from the Crypt", the shock-show series based on the infamous E.C. horror comics of the 1950s. As with "Crypt"'s previous seasons, the gruesome formula in the 1993 Season 5 remains the same: Half-hour episodes rife with murderous spouses, the walking dead, and horrific twists of fate, liberally spiced up with gallons of gore and nudity, and featuring some of Hollywood's most famous faces behind and in front of the camera. The season's hellacious highlights are probably Gary Fleder's "Forever Ambergris," with Steve Buscemi and the Who's Roger Daltrey as rival combat photographers whose competition comes to a sticky end courtesy of exposure to chemical weapons; and the season opener, "Death of Some Salesman" (by Gilbert Adler, who later helmed the "Crypt" theatrical feature Bordello of Blood"), with Tim Curry in three roles as a rural family with a big surprise for a duplicitous con man (Ed Begley Jr.). Elsewhere, actor Kyle MacLachlan directs Hector Elizondo and Patsy Kensit in the noirish "As Ye Sow"; "Highlander"'s Russell Mulcahy oversees Bill Paxton and Michael Lerner in the grisly revenge tale "People Who Live in Brass Hearses"; and Kevin Hooks unleashes Traci Lords and David Paymer in "Two for the Show," a classic E.C. story of henpecked husbands and overheated wives, with a splattery switcheroo at its conclusion. "Entourage"'s Kevin Dillon, Martin Sheen, Brooke Shields, Lou Diamond Phillips, John Stamos, and Cheech Marin are also featured in the ghoulish goings-on, with Gregory ("Rescue Me") Widen, the late Jeffrey Boam ("The Adventures of Brisco County Jr."), and Uli Edel ("Last Exit to Brooklyn") among the other directors orchestrating the on-screen mayhem. John Kassir, the voice of the Crypt Keeper, returns to provide narration for the set's sole extra, a "virtual comic book" that features the original comic on which "Salesman" was based. " -- Paul Gaita"

Theatrical: 1989

Studio: Warner Home Video

Genre: Horror

Duration: 92

Summary: Here's some grisly good news for fear fans: the first season of HBO's long-running TV horror anthology "Tales from the Crypt", based on the notorious '50s-era E.C. comic books, emerges on DVD in a two-disc set that's sure to have 'em shrieking (with joy, of course). Shepherded by a host of top Hollywood producers and directors (including Joel Silver, Richard Donner, Robert Zemeckis, and Walter Hill), the "Tales from the Crypt" series brought together major talent both in front of and behind the camera to give life to E.C.'s over-the-top stories of gruesome revenge and ghastly terror. Season 1 offers six star-studded spooktaculars, including Donner's "Dig That Cat… He's Real Gone," with "The Sopranos"' Joe Pantoliano as a carnival performer with a knack for surviving horrible endings; Zemeckis's "And All Through the House," with Larry Drake as a homicidal Santa Claus terrorizing a woman who has just killed her husband (this story was also adapted in the 1972 theatrical version of "Crypt"); and Hill's "The Man Who Was Death," featuring a topnotch performance by William Sadler as a jailhouse executioner who takes the law into his own hands. Comic purists may decry liberties taken by updating the original stories (and current audiences may find elements in some episodes out of date, most notably Mary Lambert's "Only Sin Deep"), but the blend of gore and black humor should keep most horror heads happy, as should the chattering presence of the animatronic Crypt Keeper (well-voiced by John Kassir), who serves as the show's ghost host.
The two-disc set's chief extra is an interesting documentary about the original comics, featuring interviews with co-editor Al Feldstein and legendary artist Jack Davis, as well as directors and authors inspired by the comics like George Romero, John Carpenter, and R.L. Stine. The Crypt Keeper also weighs in with a new intro for the DVD, as well as his reminiscences of the first-season episodes, complete with plenty of behind-the-scenes production photos. In short, pleasant screams are ensured for all. "--Paul Gaita"

Theatrical: 1989

Studio: Home Box Office (HBO)

Genre: Horror

Duration: 376

Summary: The Cryptkeeper dusts off another set of horror yarns in this fourth collection of "Tales from the Crypt", featuring more semi-big-stars, a handful of name directors, and a bevy of excruciatingly bad puns. There are some goodies here if you're nostalgic for 1950s-era comic-book scares (or for vintage 1992 late-night pay-cable), but this fourth season represents diminishing returns for the franchise. The 14 episodes get off to a poor start with the first installments, including "None but the Lonely Heart" (directed by Tom Hanks, who cameos), about a Lothario (Treat Williams) who marries and kills rich old ladies, and "This'll Kill Ya" (directed by Robert Longo), about a nasty drug researcher (Dylan McDermott). The series' very sporadic nudity is provided here by Sonia Braga.
Of the famous directors represented, best in show is John Frankenheimer, whose "Maniac at Large" makes sinuous use of a single set, a large library; Blythe Danner plays a meek librarian in fear of a serial killer, and Salome Jens (star of Frankenheimer's "Seconds") is her shrewish boss. Elsewhere, William Friedkin should be embarrassed by "On a Deadman's Chest," an extremely silly rock & roll thing about a tattoo with a life of its own. And Richard Donner's "Showdown," while providing a welcome bit of Western atmosphere, is either an existential puzzler or an unfinished production. The directorial novelty must be "Split Personality", a story of a con man (Joe Pesci) seducing a wealthy pair of twins. It's one of the more entertaining episodes, and it marks the sole directing outing for Hollywood mega-producer (and "Tales" exec producer) Joel Silver. For sheer perversity, few segments top "Beauty Rest", in which aspiring actress Mimi Rogers ends up regretting a successful audition (with Buck Henry, of all people).
The biggest rising-star find is probably Brad Pitt in "King of the Road", a lame tale of hotrod racers. Timothy Dalton, then fresh from his James Bond run, stars in one of the better shows in this set, "Werewolf Concerto," a clever piece about a werewolf hunter staying at a lodge terrorized by a lycanthrope. Perhaps the most sustained episode--nailing the series' blend of campy humor and gory fright--is "What's Cookin'," in which Christopher Reeve, the owner of an all-squid restaurant, revitalizes the business by switching to a different kind of meat.
The minimal extras are a commentary track for the Chris Reeve episode (including the voice of the Cryptkeeper, John Kassir) and a perfunctory montage about the season's stars. The show has a loyal following that will be happy to own this set, but for anybody else it must be noted that season 4 is a year of decline, and not the place to start for horror-curious boils and ghouls. "--Robert Horton"

Theatrical: 1989

Studio: Warner Home Video

Genre: Horror

Duration: 158

Summary: Here are 18 more eye-popping episodes from HBO's shiver-shudder-and-shriek anthology series, adapted from the pages of E.C. Comics' legendary horror comics. Season 2 of "Tales from the Crypt" doesn't back down from the promise made by its debut season: some of the biggest names in Hollywood do their best in front of and behind the camera to deliver the gory goods, with a healthy dash of "Tales"' signature coal-black humor. There's Demi Moore as a classic E.C. femme fatale in Howard Deutch's "Dead Right"; "Desperate Housewives"' Teri Hatcher co-stars with a reanimated corpse in "The Thing from the Grave"; Iggy Pop and the voice of Sam Kinison are featured in a sinister story of music and murder in "For Cryin' Out Loud"; and Arnold Schwarzenegger makes his directorial debut with the macabre "The Switch." Series co-producers Walter Hill and Richard Donner also contribute creepfests, as do horror vets Jack Sholder, Tom Holland, and special effects designer Chris Walas; other performers facing fearsome fates include Patricia Arquette, Don Rickles, Bobcat Goldthwait, Lance Henriksen, and Harry Anderson. The three-disc set definitely delivers a triple treat of terror, but unfortunately, the supplemental features are a little (ahem) anemic, especially in comparison to the solid extras in the first-season set. Here, fans only get a short behind-the-scenes featurette that focuses mainly on actor John Kassir, who provides the Crypt Keeper's voice, and a glimpse at a "Tales" episode done for radio with Tim Curry. "--Paul Gaita"

Theatrical: 1989

Studio: Home Box Office (HBO)

Genre: Horror

Duration: 337

Summary: Greetings, fiends! The last time you saw the Crypt Keeper...wait, this is the last time. So turn out the frights, the party's over. They say all ghoul things must end. But first let the ghoul times roll one gleeful last time with these 13 terrorific tales based on those classic moldy-but-goodie horror comics from back when. Among the die-lights: Natasha Richardson is a lawyer planning a Fatal Caper, Ewan McGregor gets down and zombie for a Cold War and Daniel Craig finds out how the sneaky, freaky ad biz really works in Smoke Wrings. Well, time's up. Past our deadtime. Never say die, kiddies (although we just did). It's the final season!

Theatrical: 1989

Studio: Home Box Office (HBO)

Genre: Horror

Duration: 370

Summary: It's that time of fear again! So if you've been missing the Crypt Keeper, here's a chance to improve your aim. But be warned: It'll be a fright to the finish. The cadaverous cut-up is your host for a 15-episode die-gest based on classic horror comics from back in the day and featuring a parade of characters who are variously merciless, clueless, topless and headless. Hank Azaria, Shelley Hack, Isaac Hayes, Richard Lewis, John Lithgow, Wayne Newton, Isabella Rossellini, Rita Rudner and Humphrey Bogart (you read that right) are among the stars. And vampires, mad doctors, killers, ghosts and adulterers are eager to come out and play. We could tell you more, but that would be wrong. You do know rot from wrong, don't you?

Theatrical: 1989

Studio: Warner Home Video

Genre: Horror

Duration: 92

Summary: Been dying for another dose of chills from your old poison pal, the Crypt-Keeper? Then pull up a slab and revisit all the repulsive goings-on in the third season of Tales from the Crypt, the over-the-top TV anthology inspired by the classic E.C. horror comics of the '50s. All 14 episodes of the 1991 season are compiled in this three-disc set; as with previous seasons, the shows serve up gruesome tongue-in-cheek fables adapted from the original comics (and spiced up with some liberal nudity and impressive special effects), and with a host of Hollywood talent in front of and behind the camera. Series producers Robert Zemeckis and Walter Hill each contribute a creepshow apiece (the impressive season closer "Yellow," with Kirk Douglas and Dan Aykroyd, and "Deadline," with CSI's Marg Helgenberger, respectively), while Michael J. Fox stars and directs the season opener "The Trap" (which co-stars Teri Garr and Bruno Kirby). Elsewhere, Tobe Hooper (The Texas Chainsaw Massacre) gets gruesome with Whoopi Goldberg in the voodoo vengeance story "Dead Wait," while action veterans Russell Mulcahy (Highlander), Stephen Hopkins (The Life and Death of Peter Sellers), and Steven De Souza (screenwriter on Die Hard) each unleash their inner spook engines on an episode, with Hopkins's bizarre "Abra Cadaver" (with Tony Goldwyn and Beau Bridges as dueling doctor siblings) a perfect summation of the Crypt spirit and the season highlight. The third-season set is rounded out by a trifecta of extras: A Tall Tales Panel is a 14-minute look at the season, with comments by a panel of series participants recorded at Comic Con in San Diego. A Tales from the Crypt Reunion is the complete half-hour panel discussion, and Crypt Jam is a frothy music video composed of clips from the season. --Paul Gaita

Theatrical: 1995

Studio: MGM (Video & DVD)

Genre: Action & Adventure

Duration: 104

Summary: The Year is 2033. Earth has been clobbered with a comet, civilization has been destroyed, and it hasn't rained in 11 years. Nearly all the water on the planet is controlled by the evil Water and Power company, which is in turn controlled by the even more evil Kesslee (Malcolm McDowell). Who stands in the way? Some mysterious mutants called the Rippers and, of course, Tank Girl. Lori Petty plays Tank Girl, the wisecracking, defiant heart of the movie, as kind of an inner child gone wild. Unfortunately Petty can't quite carry a movie on her own--her zingers frequently fall flat and she seems to be continually worried that we still like her. Luckily there's Naomi Watts as Jet Girl to save the day: smart, shy, and inherently way more appealing than Tank Girl. "Tank Girl" is based on the comic of the same name, and it is visually an eye-popper. It's worth watching for the insane set and costume designs alone. "--Ali Davis"

Theatrical: 2004

Studio: Paramount

Genre: Comedy

Duration: 98

Summary: An elite U.S. counter-terrorism squad loses a member while decimating half of Paris in the reckless pursuit of Middle Eastern maniacs; a Broadway actor with a traumatic childhood secret is naturally hired to replace him. Oh--and they're all marionettes. "South Park" maestros Trey Parker and Matt Stone (along with co-writer Pam Brady) came up with this shameless satire of pea-brained Hollywood action flicks and even smaller-minded global politics, so don't expect subtlety or even a hint of good taste. "Team America" is soon on the trail of North Korea's evil Kim Jong Il, who treats us to a tender song about his loneliness before ensnaring Alec Baldwin and the rest of the oblivious Film Actors Guild (F.A.G. for short) in a plot to blow up every major city on the planet. Just as the mindless squad cheerfully demolishes everything in sight, so do director Parker and company. Throwing punches Left, Right, and in-between, the movie's politics leave no turn un-stoned; there's even time to bludgeon the musical "Rent". It's offensive, irresponsible comic anarchy seemingly made by sniggering little boys. "Painfully funny" sniggering little boys."--Steve Wiecking"

Theatrical: 1984

Studio: MGM (Video & DVD)

Genre: Science Fiction & Fantasy

Duration: 108

Summary: This is the film that cemented Schwarzenegger's spot in the action-brawn firmament, and it was well deserved. He's chilling as the futuristic cyborg who kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and all the more creepy. But don't overlook the contributions of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor--thus creating, along with Sigourney Weaver in "Alien", a new generation of rugged, clear-thinking female action stars. It's surprising how well this film holds up, and how its minimalist, malevolent violence is actually way scarier than that of its far more expensive, more effects-laden sequel. "--Anne Hurley"

Theatrical: 1991

Studio: Live / Artisan

Genre: Science Fiction & Fantasy

Duration: 137

Summary: After he pushed the envelope of computer-generated special effects in "The Abyss", director James Cameron turned this hotly anticipated sequel to "Terminator" into a well-written, action-packed showcase for advanced special effects and for one of the most invincible villains ever imagined. "Terminator 2: Judgment Day" is a legitimate sequel: there's more story to tell about a hulking, leather-clad android (Arnold Schwarzenegger) who arrives from the future to protect a rebellious teenager and future leader (Edward Furlong) from being killed by the tenacious T-1000 robot (Robert Patrick), whose liquid-metal construction makes him seemingly unstoppable. The fate of the future lies in the balance, with Linda Hamilton (who would later marry her director) reprising her role as the rugged woman whose son will change the course of history. The digital video disc of this blockbuster hit is presented with a digitally mastered THX soundtrack. "--Jeff Shannon"

Theatrical: 2003

Studio: Warner Home Video

Genre: Science Fiction & Fantasy

Duration: 109

Summary: With a reported budget of $172 million, "Terminator 3: Rise of the Machines" starts in high gear and never slows down. The apocalyptic "Judgment Day" of "T2" was never prevented, only postponed: John Connor (Nick Stahl, replacing "T2"'s Edward Furlong), now 22 and disconnected from society, is being pursued yet again, this time by the advanced T-X, a sleek "Terminatrix" (coldly expressionless Kristanna Loken) programmed to stop Connor from becoming the savior of humankind. Originally programmed as an assassin, a disadvantaged T-101 cyborg (Arnold Schwarzenegger, bidding fond farewell to his signature role) arrives from the future to join Connor and his old acquaintance Kate (Claire Danes) in thwarting the T-X's relentless pursuit. The plot presents a logical fulfillment of "T2" prophesy, disposing of Connor's mother (Linda Hamilton is sorely missed) while computer-driven machines assume control, launching a nuclear nightmare that Connor must survive. With "Breakdown" and "U-571" serving as worthy rehearsals for this cautionary epic of mass destruction, director Jonathan Mostow wisely avoids any stylistic connection to James Cameron's "Terminator" classics; instead he's crafted a fun, exciting popcorn thriller, humorous and yet still effectively nihilistic, and comparable to "Jurassic Park III" in returning the "Terminator" franchise to its potent B-movie roots. "--Jeff Shannon"

Theatrical:

Studio: Pioneer Entertainment

Genre: Animation

Duration: 550

Summary: Ichise's grief only allows him to enjoy the pain of the fighting pits in the underground city of Lukuss. However, when a gang punishes Ichise by cutting his arm and leg off, his will to live overcomes the odds and attracts the attention of the ruling Organo syndicate that controls the cybernetic Texhnolyze technology that they usually reserve for the elite. Meanwhile, an outsider has come down to the city and, along with a young psychic girl, the dominos are beginning to fall in the seething unrest of the city as their paths slowly intertwine with Ichise.

Theatrical: 1961

Studio: Criterion

Genre: Foreign

Summary: A champion of illumination and experimental shading, Kurosawa brings his unerring eye for indelible images to Shakespeare in this 1957 adaptation of "Macbeth". By changing the locale from Birnam Wood to 16th-century Japan, Kurosawa makes an oddball argument for the trans-historicity of Shakespeare's narrative; and indeed, stripped to the bare mechanics of the plot, the tale of cutthroat ambition rewarded (and thwarted) feels infinitely adaptable. What's lost in the translation, of course, is the force and beauty of the language--much of the script of "Throne of Blood" is maddeningly repetitive or superfluous--but striking visual images (including the surreal Cobweb Forest and some extremely artful gore) replace the sublime poetry. Toshiro Mifune is theatrically intense as Washizu, the samurai fated to betray his friend and master in exchange for the prestige of nobility; he portrays the ill-fated warrior with a passion bordering on violence, and a barely concealed conviviality. Somewhat less successful is Isuzu Yamada as Washizu's scheming wife; her poise and creepy impassivity, chilling at first, soon grows tedious. Kurosawa himself is the star of the show, though, and his masterful use of black-and-white contrast-- not to mention his steady, dramatic hand with a battle scene--keeps the proceedings thrilling. A must-see for fans of Japanese cinema, as well as all you devotees of samurai weapons and armor. "--Miles Bethany"

Theatrical: 1981

Studio: Anchor Bay

Genre: Comedy

Duration: 116

Summary: From a script cowritten with his fellow "Monty Python" veteran Michael Palin, Terry Gilliam pulled out all the stops on his prodigious imagination for this comedy-fantasy from 1981. Film critic Pauline Kael was right when she wrote, "This may be one of those rare pictures that suffers from a surfeit of good ideas," because there's not enough plot to keep pace with the sheer inventiveness of Gilliam's filmmaking. That hasn't stopped "Time Bandits" from becoming a classic, of sorts, attracting a cult following as a semi-reunion of the "Python" gang (with Palin and John Cleese making splendid appearances) and a rousing adventure of near-epic proportions. It's about a kid named Kevin (Craig Warnock) who joins a band of mischievous dwarves on a jaunt through various eras and epochs. They've stolen a map to holes in the space-time continuum that belongs to the Supreme Being (suitably played by Sir Ralph Richardson), and as Kevin survives a variety of heroic adventures, including an encounter with King Agamemnon (Sean Connery), an Evil Genius (David Warner) pursues the coveted map using his nefarious magical powers. As a warm-up for Gilliam's later, even more ambitious fantasies, "Brazil" and " The Adventures of Baron Munchausen", this is a dazzling dose of cinematic whimsy, and Gilliam doesn't compromise the darkness of his tale with an artificially upbeat ending. There's as much menace in "Time Bandits" as there is an awesome sense of wonder, and that gives the movie an extra kick of timeless appeal. "--Jeff Shannon"

Theatrical: 2004

Studio: Anchor Bay

Genre: Television

Duration: 5

Summary: The aptly named Choad is the captain of a band of smugglers. The rest include his reptilian nephew, a sex cyborg, a surly female something or other, and an effeminate gold robot. They roam around between the military-like federation and the empire of the Dark Clowns. Choad is not a favorite of either side and manages to keep running afoul of both.
This motley band manages to get into some very strange situations and thus manages to do some decent parodies as well as original humor. Star Trek and Star Wars are obvious targets but we also see 2001: A Space Odyssey and I, Robot taking shots.
I have to say I don't know how things went from the first episode to the second. The ending of this first made it more like a one-shot. But what can you say about a series that manages to kill off G-d in the first few minutes? There are no sacred cows. Nothing is safe. Not movies, interior decorating, beauty pageants, politics, youthful rebellion, etc. Check it out.

Theatrical: 2007

Studio: Starz / Anchor Bay

Genre: Animation

Duration: 286

Summary: The eclectic crew comes back more twisted and outrageous than ever before in new exciting adventures. Now produced in high definition, you will be amazed by the richness of the images and textures found in the series. With 13 new episodes available, this latest production is constituted of a unique blend of action, comedy and sexiness to delight the fans. Writers and directors have pushed the envelope even further and came up with unpredictable storylines and spectacular scenes.

Theatrical: 2004

Studio: Anchor Bay

Genre: Television

Duration: 5

Summary: Prepare to probe the most moist and sticky cracks of the universe with the intergalactic degenerates of starship Jupiter 43: Captain Chode, sultry Six of One, Whip, Gus, Beast-cow T'Nuk and Unstable A.I Bob. In the second Season of deep space depravity, there are battles in the Bermuda Quadrant a crash landing in Roswell and the infamous mission to unload 10,000 tubes of butt jelly on the gay planet Fabulous Heaven. Throw in some shrunken crews, alternate realities, escaped grandpas, pissed-off Dark Clowns, prison sex, heaven, hell and a high-school reunion, and you've got more freakin' space splooge than your primitive crapball of a planet deserves!

Theatrical: 2007

Studio: ANCHOR BAY

Genre: Comedy

Duration: 75

Summary: What begins for Chode and crew as a routine mission to protect a pi$$ed-off princess will soon become a filth- splattered saga of dismembered royalty, indestructible clown assassins and desperately horny housewives. What vile act has Chode committed to bring down the ultimate wrath of Bobo? Can Gus, Six, T'nuk, Whip and Bob stop a time-traveling killing machine from ruining a booze-soaked birthday party? How much does a lap- dance cost at the Grope-A-Cabana on Omicron 9? The voices of Stephen Root, Maurice LaMarche, Jenny McCarthy, John Melendez, Gayle Garfinkle and Rick Jones star in this all-new feature length movie packed with plenty of sex, violence and &^%!#* too extreme for broadcast TV!

Theatrical: 2004

Studio: Warner Home Video

Genre: Action & Adventure

Duration: 163

Summary: There are many reasons to recommend "Troy" as a good ol' fashioned Hollywood epic, especially if you've never read Homer's "The Iliad". Dispensing with Greek gods altogether, this earnestly massive production (budgeted at upwards of $200 million) will surely offend historians and devoted students of the classics (for them, there's the History Channel's "Troy"). But there's politics aplenty in the grand-scale war that erupts when Trojan prince Paris (Orlando Bloom) makes off with Helen (blandly beautiful German model Diane Kruger), wife of Spartan ruler Menelaus (Brendan Gleeson), whose brother, the Greek king Agamemnon (Brian Cox) prods him into enraged retaliation. Greek warrior Achilles (Brad Pitt) brings lethal force to his battles (and there are many of them, mostly impressive), and his Trojan counterpart, Paris's brother Hector (Eric Bana), adds even more buffed-up beefcake to a film so chock-full o' hunks that there's barely room for Peter O'Toole (doing fine work as Trojan king Priam) and even less for Julie Christie, appearing ever-so-briefly as Achilles's melancholy mother. The drama is nearly as arid as the sun-baked locations (Mexico and Malta) that stand in for the Aegean coast, and many critics suggested that Pitt (who valiantly tries to give Achilles some tormented dimension) was simply miscast. But when you consider that Wolfgang Petersen also made "The Perfect Storm", there's nothing wrong with enjoying "Troy" as a semi-guilty pleasure with a touch of ancient class. "--Jeff Shannon"

Theatrical: 2004

Studio: Warner Home Video

Genre: Action & Adventure

Duration: 201

Summary: This is the most substantial DVD boxset I have ever SEEN. I was a *casual* fan of the original theatrical cut film -- but this new edit has turned me completely around. Now? I am a TRUE FAN of "Troy".

The additional footage included in the Director's Cut is simply FANTASTIC. Suddenly there is real emotional weight to the Paris/Helen romance, where it felt thin before. Achilles has new shades of humanity -- all of the Myrmidons (not to mention Briseis) benefit from this. It might only be a few bits and pieces here and there, but these small scenes add up to make the larger picture more rich and resonating.

The packaging is EXQUISITE, the extras are numerous and the price is irresistible. Well worth your money -- this boxset ROCKS!

Theatrical: 1998

Studio: Paramount

Genre: Comedy

Duration: 103

Summary: The whole world is watching--literally--every time Truman Burbank makes the slightest move. Unbeknownst to him, in this hauntingly funny film by Peter Weir, his entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows--including his mother, his wife, and his best friend--is really an actor, paid to be part of his life. In this intriguing and surprisingly touching 1998 film, writer Andrew Niccol imagines an ultimate kind of celebrity, then sees it brought to life with comic intensity and emotional honesty by Jim Carrey in what may be the performance of his career. Carrey has exceptional support from Laura Linney and Ed Harris, but it's his show, in a portrayal that demonstrates just what kind of range Carrey is capable of. "--Marshall Fine"