DVDpedia : Library : Title : W

Theatrical: 2008

Studio: WALT DISNEY VIDEO

Genre: Animation

Duration: 98

Summary: Pixar genius reigns in this funny romantic comedy, which stars a robot who says absolutely nothing for a full 25 minutes yet somehow completely transfixes and endears himself to the audience within the first few minutes of the film. As the last robot left on earth, Wall-E (voiced by Ben Burtt) is one small robot--with a big, big heart--who holds the future of earth and mankind squarely in the palm of his metal hand. He's outlasted all the "Waste Allocation Load Lifter Earth-Class" robots that were assigned some 700 years ago to clean up the environmental mess that man made of earth while man vacationed aboard the luxury spaceship Axiom. Wall-E has dutifully gone about his job compacting trash, the extreme solitude broken only by his pet cockroach, but he's developed some oddly human habits and ideas. When the Axiom sends its regularly scheduled robotic EVE probe (Elissa Knight) to earth, Wall-E is instantly smitten and proceeds to try to impress EVE with his collection of human memorabilia. EVE's directive compels her to bring Wall-E's newly collected plant sprout to the captain of the Axiom and Wall-E follows in hot pursuit. Suddenly, the human world is turned upside down and the Captain (Jeff Garlin) joins forces with Wall-E and a cast of other misfit robots to lead the now lethargic people back home to earth. Wall-E is a great family film with the most impressive aspect being the depth of emotion conveyed by a simple robot--a machine typically considered devoid of emotion, but made so absolutely touching by the magic of Pixar animation. Also well-worth admiring are the sweeping views from space, the creative yet disturbing vision of what strange luxuries a future space vacation might offer, and the innovative use of trash in a future cityscape. Underneath the slapstick comedy and touching love story is a poignant message about the folly of human greed and its potential effects on earth and the entire human race. Wall-E is preceded in theaters by the comical short Presto in which a magician's rabbit, unfed one too many times takes his revenge against the egotistical magician. (Ages 3 and older) --Tami Horiuchi>




Stills from Wall-E (Click for larger image)




 

Theatrical: 2001

Studio: Sony Pictures

Genre: Art House & International

Summary: This high-energy "Dirty Harry" in Japan stars Jean Reno ("The Professional") as a maverick Paris cop with sledgehammer fists and a short temper. Promoted to sudden fatherhood when he "inherits" a spunky Japanese daughter (Ryoko Hirosue) he never knew, he becomes her droopy guardian angel, protecting her from an army of yakuza gangsters. Written and produced by Luc Besson, the former fashionista director of Euro-sleek shoot-'em-ups, this colorful B-movie blast is as gritty as an oil slick on a water slide but packed with explosive action. Director Gerard Krawczyk punctuates his gunfights with the Hong Kong school of recoil (bullets blast victims across the screen) and an undercurrent of humor. As long as you don't lean too hard on such niggling details as logic, legality, and the laws of physics, this silly, splashy, family bonding bulletfest is a spirited good time. "--Sean Axmaker"

Theatrical: 2009

Studio: Warner Home Video

Genre: Action & Adventure

Duration: 186

Summary: Everybody's favorite graphic novel comes to the screen (after years of rumors and false starts), less a roaring work of adaptation than a respectful and faithful take on a radical original. "Watchmen" is set in the mid-1980s, a time of increased nuclear tension between the United States and the Soviet Union, as Richard Nixon is enjoying his fifth term as president and the world's superheroes have been forcibly retired. (As you can probably tell, the mix of authentic history and alternate reality is heady.) Things begin with a bang: the mysterious high-rise murder of the Comedian (Jeffrey Dean Morgan), a masked hero with a checkered past, puts the rest of the retired superhero community on alert. The credits sequence, a series of tableaux that wittily catches us up on crime-fighting backstory, actually turns out to be the high point of the movie. Thereafter we meet the other caped and hooded avengers: the furious Rorschach (Jackie Earle Haley), the inexplicably naked Dr. Manhattan (Billy Crudup, amidst much blue-skinned, genital-swinging digital work), Silk Spectre II (Malin Akerman), Nite Owl II (Patrick Wilson), and Ozymandias (Matthew Goode). The corkscrewing storytelling, which worked well in the comic book, gives the movie the strange sense of never quite getting in gear, even as some of the episodes are arresting. Director Zack Snyder ("300") doesn't try to approximate the electric impact of the original (written by Alan Moore--who declined to be credited on the movie--and illustrated by Dave Gibbons) but retains careful fidelity to his source material. That doesn't feel right, even with the generally enjoyable roll-out of anecdotes. Even less forgivable is the blah acting, excepting Jeffrey Dean Morgan (lusty) and Patrick Wilson (mellow). "Watchmen" certainly fills the eyes, although less so the ears: the song choices are regrettable, especially during an embarrassing mid-air coupling between Nite Owl II and Silk Spectre II as they unite their--ah--Roman numerals. In the end it feels as though a huge work of transcription has been successfully completed, which isn't the same as making a full-blooded movie experience. "--Robert Horton"

Theatrical:

Studio: Funimation Prod

Genre: Action & Adventure

Duration: 600

Summary: Studio: Funimation Prod Inc Release Date: 08/25/2009 Run time: 600 minutes

Theatrical: 1998

Studio: Polygram USA Video

Genre: Drama

Duration: 113

Summary: Robin Williams and Annabella Sciorra star in this visually stunning metaphysical tale of life after death. Neurologist Chris and artist Annie had the perfect life until they lost their children in an auto accident; they're just starting to recover when Chris meets an untimely death himself. He's met by a messenger named Albert (Cuba Gooding Jr.) and taken to his own personal afterlife--a freshly drawn world reminiscent of Annie's own artwork, still dripping and wet with paint. Meanwhile a depressed Annie takes her own life, compelling Chris to traverse heaven and hell to save Annie from an eternity of despair.
The multitextured visuals seem to have been created from a lost fairy tale. Heaven recalls the landscape paintings of Thomas Cole and Renaissance architecture complete with floating cherubs, while hell is a massive shipwreck, an upside-down cathedral overgrown with thorns and a sea of groaning faces popping out of the ground (one of those faces is German director Werner Herzog). Williams is the perfect actor to play against the imaginative computer-generated imagery--he himself is a human special effect. But the lack of chemistry between Williams and Sciorra is painfully apparent, and the flashback plot structure flattens the story's impact despite its deeply felt examinations of the heart and the spirit. Still, there's no denying Eugenio Zanetti's triumphant production design and the Oscar-winning special effects, which create a fully formed universe that is at once beautiful, eerie, and a unique example of movie magic. "--Shannon Gee"

Theatrical: 1989

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 95

Summary: Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. "--Tom Keogh"
On the DVD
The Collector's Edition offers seven new featurettes (the previous Special Edition only had one documentary), beginning with a sit-down between director Rob Reiner and writer Nora Ephron waxing nostalgic on how the movie originated: He, recently divorced from Penny Marshall, was a miserable single man, while she was the screenwriter who rejected his initial pitch over lunch ("It was a shame," she remembers, "because we hadn't even eaten yet."). It's easy to see that Reiner is clearly Harry, and Ephron is clearly Sally: He's the squawking chatterbox and she's constantly corrects his memory (Sally's meticulous method of ordering food is also a direct rip-off of Ephron herself). Other featurettes show Billy Crystal's attempts to play Harry (or Reiner, as it were); location filming in New York; the love stories that served as interludes between scenes (again, the counselors-at-camp story is from Ephron's parents); the significance of the film over time; and more discussion on the film's famous question: "Can men and women really be friends?" Most of the stories from the featurettes are recycled in the new film commentary by Reiner, Ephron, and Crystal (Reiner mentions that the "I'll have what she's having" line, spoken by his mother, is in the top 10 of AFI's top 100 movie lines no less than five times overall), but the inclusion of Crystal, who contributed many improvised lines in the movie, makes for a nice easygoing repartee. Fans may be interested to know that Reiner originally thought Harry and Sally shouldn't get together, until he himself fell in love with his future wife on the set, but the most hilarious tidbit involves Reiner storming the production offices and polling all the women on whether or not they "fake it" because didn't believe that really happened. Seven deleted scenes--which were also included in the previous version--and original theatrical trailer round out the set, but Harry Connick Jr.'s "It Had to Be You" music video is missing. Still, the special features are a great look into a romantic comedy that clearly remains a meaningful experience for cast, crew, and audience alike. "--Ellen A. Kim"

Theatrical: 1988

Studio: Disney Home Video

Genre: Comedy

Duration: 103

Summary: This zany, eye-popping, knee-slapping landmark in combining animation with live-action ingeniously makes that uneasy combination itself (and the history of Hollywood) its subject. "Who Framed Roger Rabbit" is based on classic L.A. private-eye movies (and, specifically, "Chinatown"), with detective Eddie Valiant (Bob Hoskins) investigating a case involving adultery, blackmail, murder, and a fiendish plot to replace Los Angeles's once-famous Red Car public transportation system with the automobiles and freeways that would later make it the nation's smog capital. Of course, his sleuthing takes him back to the place he dreads: Toontown, the ghetto for cartoons that abuts Hollywood and that was the site of a tragic incident in Eddie's past. In addition to intermingling cartoon characters with live actors and locations, "Roger Rabbit" also brings together the greatest array of cartoon stars in the history of motion pictures, from a variety of studios (Disney, Warner Bros., MGM, Fleischer, Universal, and elsewhere): Betty Boop, Bugs Bunny, Mickey Mouse, Woody Woodpecker, Droopy Dog, and more! And, of course, there's Maroon Cartoon's greatest star, Roger Rabbit (voice by Charles Fleischer), who suspects his ultracurvaceous wife, Jessica Rabbit (voice by Kathleen Turner: "I'm not bad; I'm just drawn that way"), of infidelity. Directed by Robert Zemeckis ("Back to the Future", "Forrest Gump", "Contact"), not since the early Looney Tunes' "You Oughtta Be in Pictures" has there been anything like "Roger Rabbit". "--Jim Emerson"

Theatrical: 1988

Studio: 20th Century Fox

Genre: Science Fiction & Fantasy

Duration: 126

Summary: This epic Lucasfilm fantasy serves up enough magical adventure to satisfy fans of the genre, though it treads familiar territory. With abundant parallels to "Star Wars", the story (by George Lucas) follows the exploits of the little farmer Willow (Warwick Davis), an aspiring sorcerer appointed to deliver an infant princess from the evil queen (Jean Marsh) to whom the child is a crucial threat. Val Kilmer plays the warrior who joins Willow's campaign with the evil queen's daughter (Joanne Whalley, who later married Kilmer). Impressive production values, stunning locations (in England, Wales, and New Zealand) and dazzling special effects energize the routine fantasy plot, which alternates between rousing action and cute sentiment while failing to engage the viewer's emotions. A parental warning is appropriate: director Ron Howard has a light touch aimed at younger viewers, but doesn't shy away from grisly swordplay and at least one monster (a wicked two-headed dragon) that could induce nightmares. "--Jeff Shannon"

Theatrical: 2004

Studio: Bandai

Genre: Anime & Manga

Summary: Raised in an Italian convent, 16-year-old Robin Sana returns to her native Japan to join the STNJ, a secret organization that captures, rather than kills, witches of both sexes. The typically mismatched crew includes hacker Michael Lee, rookie Haruto Sakaki, psychic Miho Karasuma, Yurika Dojima, the spoiled daughter of a prominent family, and icily aloof Amon, the de facto leader of the team. As a "craft user," Robin can conjure fire as a weapon, but has some trouble with her aim. "Witch Hunter" combines the subdued palette of "Blood: The Last Vampire" with the alienated tone of the "Vampire Princess Miyu" OVAs. The elegantly designed settings and skillful use of color are more interesting than the flat stories about pursuing the supernatural murderers. All six volumes and a pin collection are included in this set. (Rated 13 and older: violence, alcohol and tobacco use) "--Charles Solomon"

Theatrical: 1939

Studio: Warner Home Video

Genre: Classics

Duration: 103

Summary: When it was released during Hollywood's golden year of 1939, "The Wizard of Oz" didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while "Oz"'s TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and decor), "The Wizard of Oz" may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. "--Jeff Shannon"