DVDpedia : Library : Title : G

Theatrical: 1997

Studio: Sony Pictures

Genre: Science Fiction & Fantasy

Duration: 101

Summary: Confidently conceived and brilliantly executed, "Gattaca" had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle "The Truman Show", depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, "Gattaca" establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, "Gattaca" is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. "--Jeff Shannon"

Theatrical: 2005

Studio: Anime Works

Genre: Animation

Duration: 300

Summary: It is Sasahara's first day of college and a fateful choice awaits him — which college clubs will he chose to join? But Sasahara is no ordinary young man; a dark secret lurks within his soul. For one thing, he knows what "Cosplay" is, and he'd like to know more. He knows how to unlock all the secret characters in "Guilty Gear X", and he'd like to know more. He knows what the plot twist is in episode twenty-five of "Kujibiki Unbalance" because he's read the manga, and he'd like to know more. He's heard of Doujinshi, and he needs to know more. Enter Genshiken, the barely legitimized Society for the Study of Modern Visual Culture, home to all subspecies of Otaku!

Theatrical: 1999

Studio: Live / Artisan

Genre: Drama

Duration: 116

Summary: Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then "Ghost Dog: The Way of the Samurai" is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch ("Stranger than Paradise", "Dead Man"). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in "Hagakure: The Book of the Samurai" (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. "--Sean Axmaker"

Theatrical: 1996

Studio: Manga Video

Genre: Anime

Duration: 82

Summary: The skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe "Ghost" suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master."
Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn "Ghost in the Shell" at least a PG rating. "--Charles Solomon"

Theatrical: 2004

Studio: Dreamworks Video

Genre: Anime

Duration: 100

Summary: Mamoru Oshii's landmark "Ghost in the Shell" (1995) largely defined the cyberpunk genre and influenced the "Matrix" films in the U.S. The long-awaited sequel continues the adventures of Batou, Major Kusanagi's former assistant, who was left behind when she disappeared into the cyber-realm of the Net. With his new human partner, Togusa, Batou investigates a series of bloody murders involving "gynoids", robots with sexual functions. The case leads them to the headquarters of the Locus Solus company, where Batou uncovers the evil secret behind the creation of the "gynoids". "Innocence" includes some staggeringly beautiful CG images, especially a parade depicting characters from Chinese mythology. Oshii contrasts this glittering beauty with a "Blade Runner"-esque dystopia. But even his skill as a director can't disguise the fact that the underdeveloped story and flat characters are far less interesting than the opulent visuals. (Rated PG-13: graphic violence, violence against women, brief nudity, profanity, alcohol and tobacco use.) "--Charles Solomon"

Theatrical: 2000

Studio: Dreamworks Video

Genre: Action & Adventure

Duration: 155

Summary: A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's "Gladiator" is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, "Titanic", it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. "Gladiator"'s plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--"Saving Private Ryan", even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and "gravitas" as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! "--Mark Englehart"

Theatrical: 2000

Studio: 20th Century Fox

Genre: Television

Duration: 30

Summary: "South Park" aside, the eternal struggle between good and evil may be too heady a subject for a primetime animated series, but "God, The Devil and Bob" certainly gave it a run for its money, and did so with irreverent humor. Unfortunately, the laughs didn't translate for some sections of the country, and complaints from affiliates caused NBC to pull the show after just four episodes; viewers that missed "G/D/B" during its initial run in 2000 can now explore the entire series on this two-disc set. The premise (courtesy of creator Matthew Carlson of "Malcolm in the Middle") has God (voiced by James Garner) striking a wager with the Devil (Alan Cumming): if just one person can convince him that the world is worth saving, he'll spare humanity from destruction. The Devil is allowed to choose the candidate, and true to form, he picks the least likely person to determine the fate of the world--self-centered, slow-witted autoworker Bob Alman (French Stewart from "3rd Rock from the Sun"). Reluctantly, Bob accepts God's challenge, and tackles Hollywood ("There's Too Much Sex on TV"), free speech ("Bob Gets Involved"), adultery, and even the Almighty's love life ("God's Girlfriend"), while trying to avoid the temptations of Satan.
Though often clever and well-voiced by its all-star cast (which included Laurie Metcalf from "Roseanne" and "The Simpsons"' Nancy Cartwright as Bob's wife and daughter, respectively), it's difficult to say if "G/D/B" might've survived its initial season, had it been allowed to show all 13 episodes; the scripts are often as glib as they are provocative, and lack the overall quality of similarly "grown-up" cartoons as "South Park" and "Family Guy". At final glance, "G/D/B" is an interesting failed experiment for animation fans. The two-disc set includes commentary on five episodes by Carlson and executive producers Harvey Myman, Neil Thompson, and Gary Murphy; digital storyboards and a 20-minute making-of documentary are also featured in the extras. "--Paul Gaita"

Theatrical: 2000

Studio: Tokyo Shock

Genre: Action & Adventure

Duration: 138

Summary: Benkei, a master fighter and killer, vows never to take another life after his conversion to Buddhism. His faith in pacifism, however, is shaken and ultimately broken when members of a warrior clan are being mysteriously beheaded at Gojoe Bridge. With his "Demon Slayer" sword the former Buddhist monk and his grave robbing sidekick set out to unmask and destroy the powerful evil forces that lurk at Gojoe bridge. Set in the 12th Century, this action packed epic features some of the most extraordinary fight sequences ever filmed, and heralds the return of the Samurai Film to Japanese Cinema.

Theatrical: 1988

Studio: Walt Disney Video

Genre: Comedy

Duration: 119

Summary: Barry Levinson ("Wag the Dog") directed this comedy-drama about an Armed Forces Radio disc jockey (Robin Williams) whose manic, hilarious delivery from a studio in 1965 Saigon gives U.S. troops in the field a morale boost (while upsetting military brass). Based on the real-life experiences of deejay Adrian Cronauer, the film is actually more concept than story: put Williams in front of a microphone and let him go nuts. Still, the surrounding stuff about the influence upon Cronauer of the endless deaths among his listeners--as Cronauer tries to stay funny while feeling the mounting losses--is affecting. Williams got a much-deserved Oscar nomination for his work. "--Tom Keogh"

Theatrical: 1981

Studio: Anchor Bay

Genre: Television

Duration: 60

Summary: Believe it or not, he’s walking on air! William Katt is reluctant flying crime fighter Ralph Hinkley, who would know exactly how to use the red superpower suit given to him by aliens if he hadn’t lost its instruction manual. Who could it be? Believe it or not, he’s THE GREATEST AMERICAN HERO!

Theatrical:

Studio: Funimation Prod

Genre: Animation

Duration: 600

Summary: Back from the grave… back for murder.
For Brandon Heat, death doesn't matter. Driven by his need for revenge, he returns from beyond the grave to cripple Milleneon, the huge mafia organization that uses undead monsters as its enforcers. His ultimate goal will be to destroy Harry MacDowel, the leader of Milleneon and, at one time, Brandon's best friend...

Theatrical:

Studio: Funimation

Genre: Anime & Manga

Duration: 325

Summary: "An espionage tale as fun to follow as Alias" ---"Home Media Retailing"
From the studio that brought you "Beyblade, Chobits, Ninja Scroll, Street Fighter, " and "Vampire Hunter D"
The Social Wlefare Corporation is a secret military force comprised of orphaned girls that have been "saved" by becoming more machine than flesh. Although, they have erased their memories, they are aware they are programmed to kill.
Contains all three volumes of this exciting series!